Prayer of Confidence
When we sit down at the cross formed by two ways
When we sit down at the cross formed by two ways
And must choose regret along with remorse
And dual fate forces us to pick one course
And the keystone of two arches fixes our gaze,
You alone, mistress of the secret, attest
You alone, mistress of the secret, attest
To the downward slope where one road goes.
You know the other path that our steps chose,
As one chooses the cedar for a chest.
And not through virtue, which we don’t possess.
And not through virtue, which we don’t possess.
And not for duty, which we do not love.
But, as carpenters find the center of
A board, to seek the center of wretchedness,
And to approach the axis of distress,
And to approach the axis of distress,
And for the dumb need to feel the whole curse,
And to do what’s harder and to suffer worse,
And to take the blow in all its fulness.
Through that sleight-of-hand, that very artfulness,
Through that sleight-of-hand, that very artfulness,
Which will never make us happy anymore,
Let us, o queen, at least preserve our honor,
And along with it our simple tenderness.
Charles Peguy
Wikipedia delightfully calls Peguy a "devout but non-practicing Roman Catholic," which is actually a really sad bit--he never joined the Church as a result of family circumstances, but did adopt other many Catholic beliefs. This was part of the tension that he struggled with and felt deeply. There are obviously many elements of the dark night of the soul in this poem.
Charles Peguy
Wikipedia delightfully calls Peguy a "devout but non-practicing Roman Catholic," which is actually a really sad bit--he never joined the Church as a result of family circumstances, but did adopt other many Catholic beliefs. This was part of the tension that he struggled with and felt deeply. There are obviously many elements of the dark night of the soul in this poem.
And a bit more:
Heureux ceux qui sont morts pour la terre charnelle;
mais pourvu que ce fût dans une juste guerre.
Heureux ceux qui sont morts dans les grandes batailles,
couchés dessus le sol à la face de Dieu
[..]Heureux les épis murs et les blés moissonnés... (for Ilana)
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