Theater and Politics

"[T]he specific revelatory quality of action and speech, the implicit manifestation of the agent and speaker, is so indissolubly tied to the living flux of acting and speaking that it can be represented and 'reified' only through a kind of repetition, the imitation or mimesis, which according to Aristotle prevails in all arts but is actually appropriate only to the drama, whose very name (from the Greek verb dran, 'to act') indicates that play-acting actually is an imitation of acting. ... the intangible identities of the agents in the story, since they escape all generalization and therefore all reification, can be conveyed only through an imitation of their acting. This is also why the theater is the political art par excellence; only there is the political sphere of human life transposed into art. By the same token, it is the only art whose sole subject is man in his relationship to others."

--Hannah Arendt, The Human Condition