From Anne of Green Gables, from whence all good things come (background: Anne is forced to apologize to Rachel Lynde, a friend of Marilla, her guardian, for losing her temper):
Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly.
"Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It WAS the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde."
Anne clasped her hands together, bowed her head, and waited for the word of judgment.
There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former understood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure.
This scene is unparalleled in children's literature. And Megan Follows performs it amazingly well in the film. It raises the important question of belief: I always wondered as a child when my mother said, "Tell your sister that you're sorry," how she could compel me to be sorry, because it obviously isn't ethical for her to compel me to lie (or say that I was sorry when I wasn't--and of all horrible manner of things I was as a child, I was very rarely dishonest). Anne, I think, bridges these questions well: she is simultaneously honest and true to herself and dramatic; she apologizes with a sense of irony and engagement.
Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly.
"Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It WAS the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde."
Anne clasped her hands together, bowed her head, and waited for the word of judgment.
There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former understood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure.
This scene is unparalleled in children's literature. And Megan Follows performs it amazingly well in the film. It raises the important question of belief: I always wondered as a child when my mother said, "Tell your sister that you're sorry," how she could compel me to be sorry, because it obviously isn't ethical for her to compel me to lie (or say that I was sorry when I wasn't--and of all horrible manner of things I was as a child, I was very rarely dishonest). Anne, I think, bridges these questions well: she is simultaneously honest and true to herself and dramatic; she apologizes with a sense of irony and engagement.
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